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Can we really handle an Asian alpha male who gets the girl at the end? The shift in perception of the Asian-American male coincides with a shift in self-perception.(Much less a non-Asian female lead get an Asian guy at the end? Is it also possible to take a creative risk without guarantees?Take it from Steve Harvey, who won’t eat what he can’t pronounce: Of course, Asian-Americans are accused of allowing such undercover racism in the mainstream because we’re silent, passive, and obedient. If you replaced the race with any other, the response would be louder, with solidarity on every side. Is it possible that the mainstream, for all its talk about diversity, is afraid of encountering a man who is both Asian-American and attractive?Is it simply intolerable to witness an Asian-American switch lanes between the sidekick and the star?In a recent interview, he says: “I’ve turned down a couple roles.My agents will tell you when I first signed with them, I turned down the first three or four things that came up.This might surprise you, but I didn’t find out until recently that most women do not feel the same way as me when it comes to loving vertically challenged men.
The heart I’d scribbled around our initials linked by a plus sign on my Trapper-Keeper mocked my unrequited love. I asked if he minded that I was so much taller than him and he shrugged, saying “nah.” It wasn’t like he enjoyed my height, it just seemed like he didn’t mind it. I’d say yes, partly because I was terrible at saying no and partly because I felt that I should at least give the guy a chance.
As Lady Gaga would screech, “Baby, I was born this waaaaay.” I know I was. I’d stare at the shortest guys out on the playground, catching kickballs and sliding into homebases, hoping the taller guys would get the hell out of the way so I could ogle at the shrimps with my view unobstructed.
From the first time I noticed boys, I only noticed the shorter ones. You might want to whip out your hankies here because short guys did not seem to like me in return.
I’ve just turned down roles that were super-stereotypically Asian that I didn’t feel represented me and I didn’t want to do.
Not to necessarily say they’re bad roles, but it just wasn’t me.
I know today’s market is less likely to pave new ground, with its risk-averse eye on sequels and reboots and recycling the same tale, but I wonder how we can tell new tales without resorting to the cheapest, easiest cliches, without exploiting Asian culture for “mystical credibility” but celebrating its uniqueness with a thoughtful exploration of both its treasures and its trials.